Check out a cool behind the scenes look at Palo Alto, which is now playing in select theaters! Emma is featured in the latest Elle US along with Nicholas Kirkwood, shoe designer. Finally added scans and shoot from her June cover of Elle Canada. See the scans and photoshoots below!
Lupita Nyong’o, Emma Roberts and Evan Rachel Wood will be honorees at the 2014 Maui Film Festival, it was announced today by Barry Rivers, Director of the event. The festival will be held June 4-8, 2014 at the Wailea Resort on Maui. All awards will be presented at the brand new Seaside Cinema Music Cafe and Sunset Lounge located at the Grand Wailea. Tickets and passes to tributes, films, and special events are available now.
“For an event that’s often been referred to as a ‘jewel box’ film festival, this year’s intelligent, talented and beautiful (both inside and out) list of luminaries seamlessly fit into the tapestry of ‘diamonds, rubies and pearls’ we have honored since our inception in 2000,” said Rivers. “To say the least, we’re thrilled beyond words.”
Emma Roberts will receive the 2014 Maui Film Festival’s Shining Star Award on Thursday June 5th, which honors “a film artist who dares to dream big dreams and delivers brilliantly charismatic and revelatory performances every time that opportunity knocks.” Roberts can currently be seen in Gia Coppola’s directorial debut PALO ALTO alongside James Franco and Jack Kilmer. In February 2014, Roberts starred in ADULT WORLD, directed by Scott Coffey. She also recently starred in the third installment of Ryan Murphy’s AMERICAN HORROR STORY: COVEN. Roberts will next appear in AMERICAN HORROR STORY: FREAK SHOW scheduled to premiere in Fall 2014. In August 2013, Roberts starred in the summer hit comedy WE’RE THE MILLERS opposite Jennifer Aniston and Jason Sudeikis from director Rawson Marshall Thurber. Roberts lso recently had a memorable supporting role in the 2012 Sundance Premiere CELESTE AND ESSE FOREVER. Other films that Roberts has appeared in include EMPIRE STATE, THE ART OF GETTING BY, SCREAM, IT’S KIND OF A FUNNY STORY, 22.214.171.124, TWELVE, WHAT’S WRONG WITH VIRGINIA, VALENTINE’S DAY, HOTEL FOR DOGS, LYMELIFE, THE WINNING SEASON, NANCY DREW, BLOW, BIG LOVE, GRAND CHAMPION, AQUAMARINE, and on the Nickelodeon hit comedy series UNFABULOUS.
Also new to Bankside’s growing slate is comedy-drama Ashby set to star Mickey Rourke, Nat Wolff, Emma Roberts and Sarah Silverman. CAA and UTA rep North America.
Writer-director Tony McNamara’s script charts the relationship between a high school student (Wolff) and a retired CIA assassin (Rourke) who only has months to live.
Producers are Kevin McCormick, Rory Koslow, Josh Kesselman, Compton Ross and Phil Hunt.
Principal photography will commence on June 16 in North Carolina for five weeks.
Emma will be appearing on Late Night with Seth Meyers tonight (May 12) on NBC, check local listings for times! Check out two interviews below Emma did to promote Palo Alto …
The teens are lost, the adults are wrecks, and everyone is grasping for some meaning in Gia Coppola’s feature debut Palo Alto, based on James Franco’s 2010 collection of interconnected short stories of upper middle class teenage angst.
Emma Roberts stars as the heartbreaking April, a quiet teen who catches the leering gaze of her adult soccer coach, played with unsettling charisma by Franco. As April navigates the increasingly inappropriate attention and escalating physicality of her relationship with Mr. B, her classmates drift in and out of trouble, parties, and desperation in Coppola’s dreamy portrait of this grim, privileged suburb.
EW got a chance to speak to Roberts and Coppola about the film, Franco material, and how they reimagined some of the more intense scenes for the big screen. Check it out after the jump. (There are some slight spoilers.)
ENTERTAINMENT WEEKLY: Hi, thanks for taking a few minutes to talk to us.
GIA COPPOLA: Emma, hi! I didn’t realize you were on this call too.
EMMA ROBERTS: Oh, hey!
Can we talk about your character April?
EMMA: I found her really interesting just because she’s so opposite me. She’s much more of an observer and a listener. She’s not the social girl in high school. I was definitely the social girl.
GIA: I always loved the story “April in Three Parts” because it was always very romantic and sweet that these two kids liked each other but are just being pulled in opposite directions. What was so interesting about James’ writing is that he was really able to tap into a young girl’s emotions so well.
EMMA: He really did!
GIA: He articulated how I felt when I was that age and all those insecurities. It was pretty much all there. Obviously I was working with short stories, so at times I kind of used my own experiences, but I think she’s a combination of all of our experiences. Of course Emma made her come to life.
EMMA: That’s what made it so fun. It was a nice collaboration of what me, James, Gia, and all the other actors felt and experienced when we were younger.
Palo Alto is now playing in select theaters in NY and LA you can find if playing near you here! Since the release I have added some Palo Alto related photos below! Some new stills and alternate posters plus on set photos! The film is featured in the latest V magazine with photo spread by James Franco, click “read rest of this entry” for the article, which James interviews Emma. Check out new clips here from the film! Emma plus Evan Peters were spotted at LAX on May 9th headed to New York for the X-men premiere today, which photos will be added in another update soon…
Emma arrives at Tribeca Film’s ‘Palo Alto‘ Premiere in Los Angeles on May 5, 2014. Check out HQ and MQ photos below, plus after party photos! Emma was seen visiting the Extra at Universal Studios Hollywood today (April 6) in LA. TV Reminder: Emma will be on Jimmy Kimmel Live tonight!
Adapted from James Franco’s book of stories by the same name, this month’s Palo Alto is a portrait of suburban teen malaise. First-time director Gia Coppola and leading lady Emma Roberts tell us what it was like to revisit those angsty days.
Marie Claire: Gia, can you start by telling me how this film came to be, and how Emma got involved?
Gia Coppola: I met James, and he had his book of stories, and was looking for someone else to direct it. When I showed him my photography, I guess he thought I was the right fit. I’ve never really directed anything, only short films with my friends, but he believed in me. The casting: Emma just kind of kept popping into my life.
Emma Roberts: We just kept running into each other non-stop.
GC: I always say something was cosmically pushing us together. She was coming up in conversation, and she loved the book and the script, so it was really a good fit.
MC: Emma, had you read the book already when you heard it was being made into a movie?
ER: I bought it at Book Soup in L.A. the day it came out. I’m a big James Franco [fan] and I love to read. When I heard that they were making it into a movie, and that he was also going to be part of it, and Gia was, I thought that was interesting. I thought it was a really special, cool project.
MC: Emma, you play April, a high school senior who is simultaneously infatuated with her soccer coach (James Framco) and her classmate (Jack Kilmer). Were there elements of that character that you both related to?
ER: I remember when you’re a teenager and you’re right in the thick of it. Like, what does it all mean? Everything is the end of the world. It’s just a crazy time; once you get out of it you’re like, there’s something nice about that time.
To hear the cast tell it, the set of Palo Alto, Gia Coppola’s feature directorial debut, was one big youthquake. “It was a kids’ club; all of us were under the age of 30,” says Emma Roberts. “We all were really young and so passionate about the project, and we all really just came together.” In theaters May 9, the film “is a solid voice in a generation of pit vipers,” declares Keegan Allen. Nat Wolff agrees. “I don’t think there’s anything that’s false [about Palo Alto]. It came from a really real place.”
Coppola (niece of Sofia and granddaughter of one Francis Ford) adapted the screenplay from James Franco’s book of short stories. Centering on a group of wayward suburban high schoolers, the highly stylized film has a dreamy, lo-fi quality balanced with refreshingly awkward dialogue delivered, in many cases, by actual teenagers. Its emotional honesty — due in large part to the closeness between the young cast and their 27-year-old director — strikes a similar nerve to Larry Clark’s Kids and grandpa Coppola’s The Outsiders. “Gia and I are both women so close in age and we really understood each other,” says Roberts, who has known Coppola for years from growing up in L.A. “That’s part of the reason she cast me in the movie. We just had an understanding of working together.”